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For The New York Times Magazine, Lydia Kiesling examines the mothers of The Lost Daughter, C'mon C'mon, Scenes from a Marriage, and more.

I was eager to watch False Positive, expecting a film that critiques the ways in which the medical maternal experience is defined by men.

Gather a box of tissues, a glass or two of wine, your best bubble friend and watch these three movies.

In Mike Mills’ 2016 film 20th Century Women, mothering, and its endless incarnations, take center stage.

Three movies, each released in the same decade, each with a radically different depiction of mothering.